I woke up today still feeling off-kilter from the previous night’s endeavor. After seeing Gaspar Noe’s Enter the Void one can only be so lucky as to call their disposition ‘slightly off-kilter.’ While I realize that every other critic has taken the opportunity to quip something along the lines of Noe’s work being an “assault,” it’s very hard to write anything adverse to this notion or even ancillary to it. Simply put, Noe’s recent work is a difficult watch, and not strictly for its content, but rather, its style.
